ACKROYD, P., “The Structural Conservation of Canvas Paintings: Changes in Attitude and Practice since the Early 1970s”, Reviews in Conservation, 2002, Number.3, pp. 3-14
ACKROID, P., BOMFORD D., “Question of Reversibility in the conservation of painting oncanvas”, Reversibility - does it exist?, British Museum Occasional Paper, 135, 1999, pp.53 - 62
APPELBAUM, B., “Criteria for treatment: reversibility”, Journal of the American Institute for Conservation, 1987, Vol. 26, Number 2, Article 1, pp.65 - 73
BERGER, G.A., “Weave interference in vacuum lining of paintings”, Studies in Conservation 11, 1966, pp.80 - 170
BERGER, G.A., ZELIGER, H.I., “Detrimental and irreversible Effect of Wax Impregnation onEaselPainting”, Meeting ICOM-CC of Venice, 1975, Paper Number 75/11/21
BONFORD, D., STANIFORTH, S., “Wax Resin Lining and colour change: an evaluation”, National Gallery Technical Bulletin, 1981, Vol. 5, pp. 65 - 69
BORGIOLI, L., CREMONESI, P., Le resine sintetiche usate nel trattamento delle opere policrome, Padua, il Prato Collana Talenti, 2005
BUZZEGOLI, E., KUNZELMAN, D., CIATTI, M., “Tecnichealternative per la conservazione dei dipinti su tela: l'esperienza del seminario di V.Mehra”, O.P.D restauro, 2003, Number 15, pp.128 - 135
CANNIZZARO, C., FRANCESCHINI, L., Un tavolo a bassa pressione suggerimenti per la sua realizzazione, Padua, Il Prato Collana talenti, 1999
CARMEN, F.B., “The History of the Use of Synthetic Adhesive and Consolidant and Lining adhesives”, WAAC Newsletter, 1986, Vol.8, Number 1, pp. 7 - 11
DELLA TORRE, S., “Il rispetto dell’esistente e l’irreversibilità dell’azione”, Atti del convegno di Bressanone, 2003, pp.15 - 22
FAZI, B., VITTORINI, B., Nuove tecniche di foderatura, Florence, Nardini editore, 1995
FELLER, R.L., “Thoughts about cross linking”, WAAC Newsletters, 2008, Vol.30, Number 3, pp.16 - 20
FRAME, K., WEBSTER COOK, S., “Solvent activated dry film lining, preliminary test for the lining of Girl in the fields by Arthur Shilling”, Art Gallery Ontario, unpublished, 1986
GORETTI, M., PRESENTI, N., VERDELLI, M.,“Il controllo delle temperature nel restauro delle opere d'arte: metodiche e innovazioni, tecniche”, Kermes, 1996, Vol. 9, Number 25, pp. 25 - 31
GORETTI, M., PRESENTI,N., VERDELLI, M., “Tecniche avanzate di sottovuoto nel restauro dei dipinti: ricerche, sperimentazioni, applicazioni”, Kermes, 2000, pp. 46 - 64
HACKE, B., “A low pressure apparatus for treatment of painting”, ICOM Committee for Conservation, 5th Triennial Meeting in Zagreb, 1978, pp.199 - 222
HORIE, C.V., Materials for Conservation, 2010, Amsterdam, Boston, Butterworth-Heinemann
KNIGHT, E., Tra non foderatura e uso ragionato degli adesivi da rifodero, Florence, Nardini Editore, 1994
LAROCHE, J., SACCARELLO, M.V., “La foderatura dei dipinti: due tradizioni a confronto”, Kermes, 1996, Number 25, pp.11 - 24
MAKES, F., HALLSTROM, B.S., “Remarks on relining”, Kungl Konsthogskolan, Royal Academy Art School, 1972, pp. 15 - 44
MATTENINI, M., MOLES, A., La chimica nel restauro, Florence, Nardini Editore, 2007
MECKLENBURG, M.F., “Meccanismi di cedimento dei dipinti su tela: approcci per lo sviluppo di protocolli di consolidamento”, Padua, Il Prato, Collana Talenti, 2008
MEHRA, V.R., “Comparative Study of Conventional Relining Methods and Materials and Research Towards Their Improvement”, Interim Report, ICOM Conference, Committee for the Care of Paintings, 1972, p.29
MEHRA, V. R., “A Low-Pressure Cold-Relining Table”, in Conference on Comparative Lining Techniques, National Maritime Museum Greenwich, London, 1974
MEHRA, V.R., “ Further Developments in Cold Lining (Nap – Bond System)”, ICOM Committee for Conservation, Working Committee for Stretchers and Lining, Venice, 1975
MEHRA, V.R., “Nap-bond Cold Lining on a low pressure table”, Maltechnik Restauro, 1975, Vol.81, Number 2, pp. 87 - 95
MEHRA, V.R., “Minimizing Strain and Stresses in Lining Canvas Painting”, ICOM, 6thTriennal Meeting, 1981, pp. 1 - 8
PHENIX, A., HEDLEY G., “Lining without heat or moisture”, ICOM Committee for Conservation, 7th Triennial Meeting, Copenhagen, 1984, Paper Number 84/2/38
POCIUS, A.V., “The Relationship of Surface Science and Adhesion Science, Adhesion and Adhesives Technology: an introduction”, Hanser Publishers, 1996, pag. 132-162
PRESCOTT, P., “The lining cycle”, Conference of ICOM on comparative lining techniques, Greenwich National Maritime Museum, 1974, pp. 1 - 46
ROBINSON, P., “The Development of Wax Composition Lining among the Members of the Association of British Picture Restores”, Conference of ICOM on comparative lining techniques, Greenwich National Maritime Museum, 1974, pp. 1 - 5
SCHILLING M., “The glass transition temperature of materials used in conservation”, Studies in Conservation, 1989, Number 34, pp. 110 - 116
SPERONI, P., “Uso ed evoluzione della tavola aspirante in Danimarca: materiali e metodi per minimizzare l'intervento conservativo”, atti del convegno del CESMAR7, 2005, pp. 37 - 44
URBANI, G., Problemi di conservazione, Bologna, Compositori, 1972
VAN OCH, J., HOPPENBROUWERS, R., "Mist-lining and low-pressure envelopes: an alternative lining method for the reinforcement of canvas paintings", Zeitschrift für Kunsttechnologie und Konservierung, 2003, Vo.17, Number 1, pp. 116 - 128
VILLERS, C., Lining paintings : papers from the Greenwich conference on comparative lining techniques, London, Archetype Publications, 2003